Q&A WITH ELIZABETH WATTS

I was part of the children’s choir for the Berlioz Te Deum with the Norwich Phil when I was ten. I still remember sitting in St Andrew’s Hall in sensory ecstasy, surrounded by the music. I had such a feeling of excitement and joy. I had never heard an orchestra live before or been involved in such a large choral work. It had a profound impact on me and embedded my love for classical music. It just goes to show that you never know how impactful involving children in such events might be on someone’s life.

Norwich was an amazing place to grow up. It has such an incredibly rich musical life. It lives and breathes amateur music making to a very high level. It was just normal to me that music was part of the fabric of a place. Of course, I now realise this is not the case in many areas and how fortunate I was to grow up with such a cultural back drop. 

The museums were also a huge joy - not just Norwich Castle with its depth and breadth of exhibits and art, from the mummified cat to the Norwich school of artists, but also the Stranger’s Hall museum with fabulous historic textiles. And then there’s the wonderful medieval architecture of the city itself. I still feel so embraced by the specialness of the place; it’s always like a warm, characterful hug whenever I return.

Les Illuminations is like a big multi-sensory party. It's full of bold, often surreal images, word play, humour, love and darkness all wrapped up in Britten's vivid, energetic score. Basically think Baz Luhrmann in poetry and music. It's one of my favourite things to sing as the whole piece always feels so fresh and spontaneous and matches my own sometimes slightly frenetic energy alongside glimpses of what it is to be human. Britten's writing is not only beautiful and intense but also hugely entertaining.

Gundula Janowitz, Karajan and the Berlin Phil playing Strauss’ Four Last Songs. Utter perfection on a recording. A dizzying mix of exceptional singing & playing, intoxicating music and technical mastery of the recording process by the engineers.

Kennedy plays Bach with the Berlin Phil, in particular the Violin Concerto No.2 in E Major. This piece is such joy and Bach is always a reminder of the beauty of life even in troubled times. Kennedy plays with great verve and panache. I just love it.

Guns N' Roses Greatest Hits. Whilst I can’t possibly approve of Axel Rose’s vocal technique there is great music here. It always lifts my spirits in mundane moments. If there is a boring task to be done, (and to survive on a desert island there most surely will be), I put this on. It pipped Queen’s Greatest Hits album to the post by a quarter of a hair’s width.